|
|
Kevin from Idaho - I emailed this to rense.com and prisonplanet.com, but
please read this. I have been inspecting this photo since last Monday.
Image of London Bomber Edited into Frame
The image of the individuals charged with the bombings that was released is
troubling. The 3rd individual, - 1st on the left in back with the white hat
- needs closer scrutiny. Look at the metal railing that is directly behind
him, then follow the form, and shape of his left arm, and you will see that
the shape of his arm is behind the railing!!! The railing is intersecting
the middle of his forearm. Take a close look!!! By the shape of his upper
torso you can see he is holding his left arm straight down. It is not bent
at the elbow, nor does it suggest that his hand is in his pocket as in the
two individuals in front. If the rest of his body is in front of the
railing, should not also the rest of his left lower forearm be in front?
Also, he is standing or placed to far in front of the rail to be close
enough to have his arm looped behind the rail. In order for his left arm to
be looped behind the rail, he would have to be kneeling right in front of
it, with his back to it.
The middle rail does not intersect with the rest of the rail on the person’s
right side. Also the top rail bleeds over into the person’s face on his left
side. Open the image posted on bbc.com in a photo editor, enlarge to where
you can see the pixels and follow their pattern. This 3rd individual seems
to be edited in. Why the seemingly glaring editing goofs? Either this is
poor editing, or the editor is sending us a picture worth a thousand words!!
The buzz just after the bombings was where were the images from the cameras
– oh they are waiting to be manipulated !!!
Take a close look - judge for yourself.
I offer to you a synopsis of my experience to make this suggestion. I have
been a photographer for 40 plus years. I began shooting cameras at the age
of 9, and I have been working in darkrooms since 5. I am now 50. My
education consists of 2 degrees in Photography in 1983, from at the time,
the leading Vo-Tech Photography program in the country at Spokane Falls
Community College . This schooling included Optical Physics. I have been
adept at film, and print manipulation long before the advent of the digital
imaging capabilities that we have now. My travels have carried me across the
Western US, Alaska and Canada as a commercial photographer. During the
Alaska Valdez Oil Spill, I was contracted by the National Park Service to
provide law Enforcement Videography in its law suit against Exxon.
Mysteriously all my work disappeared, which was legal evidence.
Kevin Paulus,
See the following images.
|
|
|